This month’s guest is Sonya Huber.
When I asked Sonya to submit a blog entry, she sent me “ My Other Voice.” In my note back to her, I said something to the effect of
“What a magnificent personal essay. So, so, human. It’s transparent, reflective, interrogative, analytical, lyrical, speculative--everything that a good personal essay embodies. I could go on.”
In her piece Sonya allows us access to her thoughts (and feelings) on how and why writing helps her to cope, sometimes even to transcend, chronic pain. My guess is that the majority of people who’ll read “My Other Voice,” won’t be facing exactly the same obstacles (chronic pain) as the writer does. And yet, I think most of us will be able to identify with Sonya’s inner struggles, certainly as they relate to our own writing, but even more so as they bear on larger human problems, the kinds of which we all face. And when it comes to the personal essay, isn’t this what we’re all trying to teach to ourselves and to our students?
* PS: in her essay, Sonja’s mentions "Shadow Syllabus," a piece she posted on her own blog; a piece, by the way, that went “viral.” If you're a writing teacher, or, if you've ever taken a writing class, you'll see why.
I’ve included “Shadow Syllabus” below--at the end of “My Other Voice.”
# 43 My Other Voice By Sonya Huber
One of the things I have always loved about writing is the sheer absorption and physical confrontation with myself. I step into the cockpit, fueled by a beautiful morning bubble of caffeine. The glowing screen dares me and taunts me: Make something out of nothing. Make a sentence that sucks slightly less than what you see in front of you. Make it true, whatever true might me.
Writing has been a solace for most pain in my life, partly because of the focus it requires. The focus of writing leads me to a kind of trance, with the happy side effect of an almost-complete separation from this mortal coil. I forget my body and my surroundings. As I’ve lately confronted more physical chronic pain, the focus of writing often delivers an hour of two in which the aches in my bones are erased.
I’ve enjoyed this physical numbness, and there have been days when writing has been my only relief.
Then there are other days where I am simply not myself. Past that point I inhabit a strange altered consciousness brought on by the pain. Over the past few years I began to worry that the fogginess and ache of autoimmune disease would destroy my writing. This would be a triple loss: shutting out something I do for my job, something I do for joy, and something I do for escape.
As I have done for years, I sit down every weekday morning and aim for my hour-plus at the computer screen. Some days there’s nothing there, but I go to the page even when nothing feels promising, just for the relief of playing with words.
Some days in the last year, all I could make was a blog post. My writing voice on those days felt like it had far less energy, less scope. It seemed obvious: I was not a writer but a woman who in fact could barely string sentences together. Writing with the submerged pain-voice feels like using a pin-hole camera instead of a wide-angle lens.
Last year in such an altered pain state, I gave up on serious writing and wrote a blog post called the *Shadow Syllabus,” kind of a fugue-state reflection on what I think about as an essayist and human while I write syllabi for my classes. I put the piece up on my blog and walked away from the computer, feeling defeated. This was all I could muster for the day, but I was practicing being kind to myself by doing a little and then stopping.
To my shock, the post went viral, linked and shared by various educators around the world, cited and reblogged and so on. Then the next year when syllabi time rolled around again, it started up again.
This has been wonderful but strange, because the Pain Woman who wrote that post doesn’t feel like the woman I know who has been writing with my hands for twenty years, the woman who tries so hard to build essays with complex and multi-layered sentences. Pain Woman has a different voice. She has a kind of messianic confidence that I do not have in my normal writing or even in my normal living, and this is the most shocking thing. The “me” I know or have inhabited most of my life is so ready to apologize for my point of view. I come at my writing sidelong, Midwestern, nerd-female, post-bullying, still gun-shy of ever saying something directly.
Pain Woman gives no shits. Pain Woman has stuff to tell you and she has one minute to do so before she’s too tired. Pain Woman knows things. Read More
Michael Steinberg's Blog--Fourth Genre: The Art and Craft of Creative Nonfiction
This month’s guest is Sonya Huber.