Lad Tobin, Guest Blogger

Michael Steinberg

Greatest Hits: And Some That Weren't Selected Essays and Memoirs 1990-2015 Carmike Press/Seahorse Books Order at https://www.amazon.com/Michael-Steinberg/e/B001IO8DKG

Bio Note

Michael Steinberg is the founding editor of Fourth Genre: Explorations in Nonfiction.
Steinberg has written, co-written and edited five books and a stage play. In addition, his essays and memoirs have appeared in many literary journals and anthologies.
In 2004, Foreword Magazine chose Still Pitching as the Independent Press Memoir of the Year. And, the Association of American University Presses listed it in “Books Selected for School Libraries.”
Other titles include, Peninsula: Essays and Memoirs From Michigan—a finalist for the 2000 Forward Magazine Independent Press Anthology of the Year and the 2000 Great Lakes Book Sellers Award; and an anthology, The Fourth Genre: Contemporary Writers of/​on Creative Nonfiction, co-edited with Robert Root, now in its sixth edition.

He has also been a guest writer and teacher at many colleges and universities, as well as at several national and international writers’ conferences, including the Prague Summer Writing Program, the Paris Writers’ Conference, The Kachemak Bay/​Alaska Writers’ Conference, the Geneva Writers’ Conference, and the Chautauqua Writers’ Center, among several others.
Currently, he's writer-in-residence at the Solstice/​Pine Manor low-residency MFA program.


CONTESTS: LITERARY JOURNALS AND BOOKS

Literary Journals

Solstice Creative Nonfiction Prize Solstice.

Fourth Genre Michael Steinberg Essay Prize Fourth Genre.

Missouri Review Editor's Prize Missouri Review.

New Letters, Dorothy Churchill Cappon Prize New Letters.

Crab Orchard Review John Guyon Literary Nonfiction Prize Crab Orchard.

"Talking Writing", a fine online journal for writers is running a contest prize for fiction and nonfiction. For more information, go to Talking Writing.

BOOKS

River Teeth Literary Nonfiction Prize River Teeth.

Breadloaf/​Bakeless Contest Breadloaf.

AWP Award Series AWP.

MIKE'S SELECTED CRAFT ESSAYS AND INTERVIEWS

CRAFT ESSAYS

"The Person to Whom Things Happened. Finding the Inner Story in Personal Narratives". Prime Number Journal . Prime Number.

"Memory, Fact, Imagination, Research: Memoir's Hybrid Personality". Solstice Lit Mag. Solstice.

"Finding the Inner Story in Memoirs and Personal Essays". From: Fourth Genre: Explorations in Nonfiction, 5:1, Spring, 2001. Fourth Genre.

"The Multiple Selves Within: Crafting Narrative Personae in Literary Memoir". TriQuarterly.

INTERVIEWS:

Association of Writers and Writing Programs AWP.

Fourth Genre Journal Vol. 12, No. 2/​Fall 2010. Scroll down to the end of AWP Interview. Fourth Genre.



Michael Steinberg's Blog--The Fourth Genre: The Art and Craft of Creative Nonfiction

Finding the Inner Story in Literary Nonfiction

May 29, 2012

Tags: Creative Nonfiction, Memoir, Personal Essay, Teaching Writing, Craft of Writing

Blog Entry No. 3

Prefatory note: This is the first of a few postings on/about the narrator as a created persona in personal essays and memoirs.

…the genuine essayist . . . . thinks his way through the essay—and so comes out where perhaps he did not wish to . . . . He uses the essay as an open form—as a way of thinking things out for himself, as a way of discovering what he thinks.
--Alfred Kazin

The comment I find myself making most frequently to my MFA students is that “the main thing missing in this piece is your story.” A lot of nonfiction writers are narrating only the literal story of their experience, and leaving out the ‘inner story’; that is, the story of their thinking.

Here’s a personal example. (more…)

Reading Like a Writer

May 10, 2012

Tags: Creative Nonfiction, Memoir, Personal Essay, Teaching Writing, Craft of Writing

Reading Like A Writer
Blog Entry No. 2

1

At a writer’s conference a few summers ago, I witnessed the following scenario: After his reading, the poet Gerald Stern was conducting a Q and A. Someone in the audience asked, “How does your reading influence your writing?” It’s the kind of benign, well-intentioned question that writers often have to field in public forums.

Stern paused for a long beat and then, partly tongue-in-cheek, he said, “All writers are full-time readers. That’s our job description. When we have some free time, we write.”

Exaggerated, maybe. Still, it’s a pretty accurate description of what practicing writers do. And when Stern refers to writers as “fulltime readers,” I think he’s including reading like a writer as part of the mix. By which I mean, the finely tuned awareness of the techniques and tactics that writers call on in order to better craft their work.

11

Reading like a writer isn’t the same as reading for enjoyment, appreciation, or self-enrichment, all of which are important pleasures to those of us who love books. Nor is it like reading the way a critic does, which is, of course, how many of us, especially those that were English majors, have been taught. As critics, we’re trained to look for themes, symbols, and ideas in literary works. And in some instances, that’s a useful pursuit. But it doesn’t help us identify and better understand how other writers’ work was made. It’s the difference then, between interpretation and exploration. (more…)

SELECTED WORKS

Memoir
“My favorite book of the year. An astonishing look at the pains of growing up.”
--Dan Smith, WVTF Virginia, Public Radio
Collection/Anthology
“Wherever readers look, they’ll find a different essay, a different voice, a different Michigan.”
-- Crab Orchard Review
Anthology of/on Creative Nonfiction
“Offers the most thorough and teachable introduction available to this exciting genre.”
--John Boe, Editor, Writing on the Edge
Stage Play
"An evening of energy, hot music, laughs and sheer entertainment." Lansing State Journal
Teaching/Writing
"Root and Steinberg will be on the shelf near my desk that holds the most important books about the teaching of writing." -Donald Murray, A Writer Teaches Writing and Write to Learn
Literary Journal
"Fourth Genre is the Paris Review of nonfiction journals." Newpages.com
Writing/Teaching Text
The Writer’s Way is the best book I’ve found yet for teaching first quarter Freshmen their first English writing sequence….” Dr. Sheila Coghill, Moorhead State University.

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